The Indian Classical Music
(Hindustani Shastriya Sangeet) is full of different types of musical instruments
such as: Taanpura, Sitar, Harmonium, Violin, Sarangi, Esraj, Sarod, Tabla,
Pakhawaj, Basuri (Flute), etc. Some of them are recently adopted from different
countries such as Harmonium, Violin, coronet, etc.
We can classify these musical
instrument into two categories.
1. Instrument for producing melodius notes or swar such as Sitar, Violin, Veena, Harmonium, Sarangi, Basuri etc.
2. Instrument for producing Tala (beats) such as Tabla, Pakhawaj, Manjeera, Dholak, Mridang, etc.
1. Instrument for producing melodius notes or swar such as Sitar, Violin, Veena, Harmonium, Sarangi, Basuri etc.
2. Instrument for producing Tala (beats) such as Tabla, Pakhawaj, Manjeera, Dholak, Mridang, etc.
Taanpura
The most important musical
instrument in indian classical for providing the atmosphere for singing and
playing instrument is the Taanpura. It is also called as Tambura. It is said
that it was originated from a Gandharva (Subtle beings in Indian Mythology)
named Tambaru. It is the finest swar producing instrument ever discovered and
therefore is respected as a Divine Instrument.
Different parts of a Taanpura
Tumba: Tumba is the big round
part of the Taanpura which is made from pumpkin.
Tabli: The Tabli is the part made
of thin wood to cover the Tumba on which the Ghurach (bridge) is placed.
Ghurach: Ghurach is the bridge on
which the strings are placed. It is made up of wood and bone.
Keel or Langot: The nail placed
on the Tumba to tie the string.
Dand: Dand is the longest wooden
part of the Taanpura. It is empty from inside.
Gulu: The part which joins the
Tumba and Dand is called Gulu.
Ati and Taargahan: There are two
narrow bridges made up of bone near the Khuti. The bridge through which the string
passes is called as Taargahan and the the bridge on which the string pass is
called Ati.
Khuti: There are four Khuti at
the top of the Taanpura for adjusting the tune of a Taanpura by loosening or
tightening them.
Sira: The wooden part which has
the four khuti.
Manka: There are 4 mankas. These
are the round objects (beads) made up of Elephant tusk, bone or glass. These
help to fine tune the Taapura.
Taar: There are 4 Taar in the
Taanpura. Three are made up of aluminum or bronze and one is made up of steel.
These for taar (strings) are tied to the Langot and the Keel.
Soot ka Dhaga: It is a silk
thread which is placed under the strings on the Ghurach (bridge). These are
responsible for the long vibration.
Jawari kholna: The process of
increasing the vibration to produce the long duration sounds in Taanpura or
sitar is called Jawari Kholna.
How to play Taanpura:
Sitting posture:
Playing Taanpura: First string
which is Pa (Pancham) is played by middle finger and the rest strings are
played by index finger.
How to tune Tanpura: The first
String is called the Pancham String. It is Tuned in the Pancham of Mandra Saptak (note Pa of Low Octave). For
the ragas where the Pancham (Pa) is forbidden, it is tuned in madhyam of lower
octave (ma). The middle two strings are tuned in Shadaj (Sa). The fourth string
is tuned in the Shadaj (sa) of the Mandra Saptak (lower octave) is made up of
thick steel and is known as Kharaj ka taar (String of Kharaj).
0 Comments